SUIBOKUGA
History
The History of SUIBOKUGA in Japan
Paintings drawn only with ink lines were already being made in the 8th century, during the Nara period.
However, Suibokuga painting, characterised by techniques such as ink shading, blurring, and gradations, was introduced to Japan in the late 12th century with Zen Buddhism from China.
At that time, Zen monks mainly used this technique to depict themes related to Buddhism, as well as subjects such as orchids, bamboo, chrysanthemums, and plum trees.
In the 15th century, artists such as Kichizan Minchō , Josetsu , and Shūbun distinguished themselves.
Towards the end of that century, Sesshū, the most famous painter of the SUIBOKUGA, marked the apogee of this art.

「瓢鮎図」
如拙
(15世紀)
"Hyou-nen-zu"
Josetsu
(15th century)
The Kōroku method
is a contour drawing technique that primarily uses freehand strokes to express itself solely through lines.
The famous work Chōjū-giga (the Animal Scrolls) is created using this white painting technique, and it is considered the origin of Japanese MANGA.

"Cyouju-giga"
12 - 13th century
The Mokkotsu method,
also known as Tsuketate method, is a technique that does not use contour lines. It is primarily based on the use of a side brush for drawing.
Bamboo leaves are often depicted using this method.


SESSHU
The saint of painters of Japan

「自筆寫寿像/雪舟七十一歳之冬」
Self-portrait by Sesshu
Sesshu 71 years of winter"
Sesshū
(1420−1506)
Sesshū studied vigorous painting at SUIBOKUGA while incorporating the gentleness of traditional Japanese painting, creating a unique style. His works are recognized as national treasures, with six of his pieces having this status. Sesshū goes beyond painting to become an iconic figure in Japanese art history. Nicknamed the “saint of painters,” his work and legacy are appreciated not only in Japan, but also around the world.
After much experimentation, Sesshū perfected a style of SUIBOKUGA painting unique to Japan, using the blurring and dryness of ink to express his subjects.


"Syutou Sansui-zu"
Sesshū
(Late 15th to early 16th century)

"Haboku Sansui-zu"
Sesshū
(1495)